Author name: Acfa Editor

ACFA’s Survey Approach and Method,

by Fred Hay

The general objective of archaeology is to generate reliable knowledge of the ways of life of past communities.  This requires inference from physical evidence obtained not only from under the earth by excavation, but also from the surface of the earth by direct observation in situ, ‘in the field’.  The specialist field archaeologist forgoes the recovery of artefacts, evidence of the site’s stratigraphy and of the way in which different contexts of use relate to each other in the vertical profile.  Instead, the field archaeologist’s work is limited to observation, recording and reporting surface remains.  But the quicker coverage of an extensive area can usefully picture the distribution of human activity in the landscape and indeed identify particular sites worthy of subsequent excavation.  

With evidence of this kind, the field archaeologist is constantly faced with problems of dating and interpreting features, as these are usually, but not exclusively, gained through careful examination of artefacts and site stratigraphy, backed up by laboratory-based investigations employing radiocarbon dating, soil analysis and other techniques. But tentative interpretation and rough dating of some features found in the field can be made through comparison with excavated sites, or with unexcavated sites which have been interpreted by a specialist archaeologist. Dating of more recent features can come from local knowledge; from the study of maps; and by documentary research. However, very limited surface evidence of the earliest communities will be accessible to the field archaeologist: the annual cycle of vegetation growth and decay is a soil-creating process, so the accretion of additional soil layers gradually buries early archaeological evidence.

With its dependence on acute observation, two factors can constrain or aid field archaeology: the condition of vegetation and the available sunlight. Most fieldwork is undertaken in early spring with the vegetation at its lowest. Good light is also crucial: the oblique angle of low morning or late afternoon winter sun can often reveal features that would otherwise have been overlooked. 

The survey technique normally used by ACFA is the tape-offset method, usually involving teams of three. It measures what is visible on the ground and ‘translates’ these measurements onto board-mounted waterproof tracing-paper, backed by graph paper printed with a 1cm grid, divided further into 10 millimetres. A scale is chosen for the drawing, frequently of 1:100, although scales of 1:1000; 1:200, 1:50 and 1:20 are sometimes employed. At a scale of 1:100, a metre length on the ground would be recorded on the tracing paper as 1cm. The tape-offset method uses two tapes: a longer one forms the straight baseline, normally run out through the middle of the feature or site, overlapping it slightly at each end, fixed firmly to the ground. This is drawn to scale on the board. A second short tape (the offset) is used to take measurements in sequence from points on the baseline – crucially at right angles to it – to selected points on the feature, along both sides of the baseline. The team member tasked with drawing ‘translates’ each pair of measurements (along the baseline and along the offset) into a point on the tracing paper. When all the selected measurements have been recorded, the feature is drawn by ‘joining the dots’, interpolating the intervening unmeasured dimensions of the feature, and adding impressions of other aspects of the site, using conventional symbols (e.g. hachures for slopes).  The feature is also carefully located in the landscape (‘georeferenced’). Its orientation is recorded by a compass-bearing taken along the baseline, and a Global Positioning Satellite (GPS) instrument is used to provide a location in terms of the National Grid. So, the feature can be found again on a later visit or by other researchers.  

At the end of the survey the completed field drawings are carefully ‘inked up’ on tracing paper, using a fine waterproof-ink pen, and scanned for insertion into the Survey Report, with the feature’s locational data and a verbal description of it, and often a digital image. 

Annual General Meeting Nov 1 2025

There was a good attendance from members at the AGM on Saturday Nov 1st. The usual business was carried out and the financial report was approved by those present. Janie Munro, chairperson presented the annual report covering another busy year of surveys, publications and community outreach.

There were no retiring members of the committee although there are still two vacancies to be filled. Janie Munro and Jennifer Boag were re-elected as chairperson and treasurer respectively. Iain Ross Wallace gave a report from the Training Working Group. Read the annual report and the TWG report here.

Tiree Survey August 2025

An ACFA team spent a week in Tiree managing to record 56 features of which 39 were drawn despite losing two-and-a-half days to bad weather. Here’s a small selection of photos from the trip.

Recording Glasgow Museum’s Rock Art

ACFA member Ed Smith has recently completed the task of recording the rock art held in the collection of Glasgow Museums, using techniques developed by the now wound-up Scottish Rock Art Project including photogrammetry (3d photographic recording). See below for links to ACFA’s Sketchfab models.

Sketchfab LinkSketchfab Title
https://skfb.ly/p7IL8Rock Art, Bowling, A.1955.96.mb
https://skfb.ly/p7INwRock Art, Argyll, A.1958.43.a
https://skfb.ly/p7JSFRock Art, Low Mye, A.1955.96.714
https://skfb.ly/p7JTACist Slab, Badden, A.1960.45
https://skfb.ly/p7JUDRock Art, Bowling, A.1955.96.lz
https://skfb.ly/psCYSRock Art, Argyll and Bute, A.1993.5.ix
https://skfb.ly/ptOYDRock Art, South Lanarkshire, A.2024.1.1
https://skfb.ly/psGJ7Rock Art, Argyll, A.1958.43.b
https://skfb.ly/psGQZRock Art, West Dunbartonshire, A.1955.96.ma
https://skfb.ly/psSxuRock Art, Jedburgh, A.1955.96.713
https://skfb.ly/psSAFRock Art, TEMP.21133
https://skfb.ly/psSBGRock Art, West Dunbartonshire, A.1955.96.ly
https://skfb.ly/psSJVRock Art, West Dunbartonshire, A.1955.96.449
https://skfb.ly/psSMqRock Art, Glasgow, 1902.78

Zoom Talk Series 2024

As a taster for the next season of Zoom talks in 2025 here are the talks we hosted last winter/spring.

Annual General Meeting, Nov 9 2024

The AGM on Saturday Nov 9 was a big success with good attendance by members. We are delighted to welcome Ken Mallard to the committee. We still have two vacancies to fill and I would urge members to consider whether you could give a little time to the committee.

Chairperson, Janie Munro, presented the annual report and Treasurer Jennifer Boag spoke to the previously circulated financial report.

After lunch we enjoyed a wee update from Simon Davies about his work in South Uist. Dugie MacInnes gave a presentation covering the thirty years of work in Glen Lochay following the launch to members of the book In the Glen of the Dark Goddess. Elaine Black presented an intriguing mystery in Balquhidder.

Next year has some exciting plans for ACFA including:

  • new training courses will be run in the spring
  • a small ‘hit team’ will be surveying on the isle of Ulva
  • in April (8th-11th) ACFA will be travelling to Rudha Fiola, a small island off Luing, to conduct a survey
  • another survey is planned for Tiree in August (23rd-30th)
  • fieldwalking in the Kilsyth Hills will recommence 
  • surveys south of Glasgow will continue around Kittochside
  • collaboration with the Scottish Stonemasons Marks project will continue

The Island of Ulva

ACFA is sending a small band of hardy individuals in Spring 2025 to survey the prehistoric archaeology of the island of Ulva, which sits off the west coast of Mull. The sites lie 11km along a rough track from the available accommodation and access will be via a bumpy ride in a trailer towed by a quad bike. Here is a feature with a poignant name, photographed by Wendy Raine during a recent recce trip.

Fish trap, Starvation Row, Ulva

Rock Art at Kelvingrove

Over the summer ACFA carried on the task, begun during participation in Scotland’s Rock Art Project, of recording the collection of rock art held in Glasgow Life Museums’ collections at Kelvingrove Museum.

The rock art was recorded using ScRAP’s methodology and 3d images were produced which can be viewed on ACFA’s Sketchfab account via the following links.

https://skfb.ly/p7IL8

https://skfb.ly/p7INw

https://skfb.ly/p7JSF

https://skfb.ly/p7JTA

https://skfb.ly/p7JUD

Thanks to Glasgow Life Museums staff, particularly Jane Flint Curator of (Prehistoric) Archaeology, for arranging access and making this possible. Images on Sketchfab are reproduced courtesy of Glasgow Life Museums and Libraries Collection.

Book launch in Killin

It was a full house for the launch of In the Glen of the Dark Goddess, A history and archaeology of Upper Glen Lochay, Killin.

Nearly a hundred people braved torrential rain to to attend the event in the McLaren Hall, Killin and most of them left having purchased a copy. A fantastic response from locals and ACFA members who travelled to the event.

Purchase a copy here

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